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t Miking: This namely too known for "near" miking. It basically means namely you are placing the mic close to what you are recording. It's often secondhand to hack the apartment sound out of the recording. Most family recordists don't have an acoustically remedied space to record in so they generally don't absence much of the apartment sound.
A huge reason that human choose spot miking is so that every instrument can be insulated when many instruments are creature recorded at once. That will give you more flexibility when it comes to mixing.
The closer your mic is to the source the more bass that ambition be recorded.
Distant Miking: This usually means placing the mic almost three or 4 feet from the source. People usually choose far miking when they are trying apt get a more normal sound.
The biggest negative with distant miking is if you are recording multiple instruments in a moment you may get "bleed" from another source which makes mixing more complicated.
Distant miking also means that more of the room sound will be recorded. Unless you have a good comprehending of acoustics and your room is well treated then this is usually a bad object.
Ambient Miking: This means you are placing the mic distant away from the source that the room sound activities a big chapter in what you are recording. Clearly with this technique you will want to have a good sounding room.
Stereo Miking: This means recording with two mics to capture the stereo field of your source. One mic will be panned all the course left and the other all the way right.
If you want to take this conception to it's extreme then you want to look into binaural recording.
Combined Miking: As the label implies this means combining two or more of the above techniques. The possibilities are infinite. I calculate it's a nice mind to truly master the top four techniques ahead you try to mingle alter techniques attach.
One mutual technique is to mix a close mic with an ambient mic. That way you still get the aggression from your source but you also get the ambiance that you want to capture. If you have a good sounding room you can get a good natural reverb using this technique.
Mic placement is an exceedingly important part of getting a good sound. It's momentous to learn how different mic placements sound and to keep experimenting with different placements until you get the sound that you want.