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Practitioners of body art, such as Amal Abdenour and Phillipe Boissonnet, reproduced different parts of the body using photo copiers. They were exploiting variations of colour and the effects of contrast and solarisation. Much of this work was fulfilled by using overlays of transparencies.
Copy Art continues to thrive in Canada today. The founder of the Canadian movement was Jacques Charbonneau. After discovering the technique, when he was aboard vacation, he returned to Canada where he opened Centre Copie-Art in Montreal in 1982.
Copy Artist Pati HillArtist Pati Hill exhibited in the "Electra" exhibition, working with shadows [link widoczny dla zalogowanych], grains, and contrasts of black and white for well for textures and micro textures. To build this work, Hill created imagery from plumes, flowers cloths and plants [link widoczny dla zalogowanych], says de Meridieu. In a part almost innovative pioneers in the paperback shrieked Digital and Video Art, de Mèredieu works on to speak about Hill as a present-day experimentalist and her work as excessive. An example of Hill's technique, she explains, was to photograph each feasible (visible, hidden, obvious and abrupt) of the Palace of Versailles.
Body Art and Other Offshoots of Xerography
Because it so versatile, there have been numerous different developments and innovations namely have evolved from Copy Art. According to de Mèredieu, journals and fanzines sprang up approximately artist centres such as art schools and seminaries. A centre recognised as outstanding because encouraging this type of art form was Ecole des Beaux-Arts in Dijon.
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According to the Encyclopaedia of Twentieth Century Photography, Copy Art alternatively Xerography was pioneered in Canada, where it namely still popular today. Copy Art, uses the photocopier to create artworks by reproducing and multiplying images. The artists melodrama with the process of transformation of graphic images. They experiment with the metamorphosis brought about by the alchemy of light by the heart of the reproduction technology.
Origins of Copy ArtThe electrography process was amplified in the USA and Germany in 1938. But this technology became freely available along the year 1960. Copy Art began to arise as one masterpiece fashion by about 1970, and the 1st exhibition of this kind of masterpiece called "Rochester" was held in 1979. Other exhibitions of this type were held in Canada in the same year.
Resources:de Mèredieu.F. Digital and Video Art. Chambers Arts Library. Edinburgh. Encyclopaedia of Twentieth Century Photography. Routledge2006
After making its first advent in France in 1975, duplicate art became more accepted. By 1983 [link widoczny dla zalogowanych], an exhibition called "Electra" was held in the Musee d'Art de la Ville de Paris. The gallery devoted considerable space to the art form.
de Mèredieu points to the magnitude of this movement, while she mentions that Klaus Urbons founded a museum of photocopying in Mulheim an der Ruhr in Germany. Here there are displayed antique machines, documentation and artist's work. Another sample of the amount of the body of work, the style and the usage, is the prologue in 1990 of a important international museum of electrography in Cuenca in Spain.
Centre Copie-Art of Canada